Diversity, Disability, Death, and the Dao

Over the past year, I've been working through Chris Fraser's recent books on later classical Chinese thought and Zhuangzi, and I've been increasingly struck by how harmonizing with the Dao constitutes an attractive ethical norm. This norm differs from the standard trio of consequentialism (act to maximize good consequences), deontology (follow specific rules), and virtue ethics (act generously, kindly, courageously, etc.).

From a 21st-century perspective, what does "harmonizing with the Dao" amount to? And why should it be an ethical ideal? In an October post, I articulated a version of "harmonizing with the Dao" that combines elements of the ancient Confucian Xunzi and the ancient Daoist Zhuangzi. Today, I'll articulate the ideal less historically and contrast it with an Aristotelian ethical ideal that shares some common features.

So here's an ahistorical first pass at the ideal of harmonizing with the Dao:

Participate harmoniously in the awesome flourishing of things.

Unpacking a bit: This ideal depends upon a prior axiological vision of "awesome flourishing". My own view is that everything is valuable, but life is especially valuable, especially diverse and complex life, and most especially diverse and complex life-forms that thrive intellectually, artistically, socially, emotionally, and through hard-won achievement. (See my recent piece in Aeon magazine.)

[traditional yin-yang symbol, black and white; source]

Participating harmoniously in the awesome flourishing of things can include personal flourishing, helping others to flourish, or even simply appreciating a bit of the awesomeness. (Appreciation is the necessary receptive side of artistry: See my post on making the world better by watching reruns of I Love Lucy.)

Thinking in terms of harmony has several attractive features, including:

1. It decenters the self (you're not the melody).
2. There are many ways to harmonize.
3. Melody and harmony together generate beauty and structure absent from either alone.

Is this is a form of deontology with one rule: "participate harmoniously in the awesome flourishing of things"? No, it's "deontological" only in the same almost-vacuous sense that the consequentialists' "maximize good consequences" is deontological. The idea isn't that following the rule is what makes an action good. Harmonizing with the Dao is good in itself, and it's only incidental that we can (inadequately) abbreviate what's good about it in a rule-like slogan.

Although helping others flourish is normally part of harmonizing, there is no intended consequentialist framework that ranks actions by their tendency to maximize flourishing. Simply improvising a melody on a musical instrument at home, with no one else to hear, can be a way of harmonizing with the Dao, and the decision to do so needn't be weighed systematically against spending that time fighting world hunger. (It's arguably a weakness of Daoism that it tends not to urge effective social action.)

Perhaps the closest neighbor to the Daoist ideal is the Aristotelian ideal of leading a flourishing, "eudaimonic" life and recent Aristotelian-inspired views of welfare, such as Sen's and Nussbaum's capabilities approach.

We can best see the difference between Aristotelian or capabilities approaches and the Daoist ideal by considering Zhuangzi's treatment of diversity, disability, and death. Aristotelian ethics often paints an ideal of the well-rounded person: wise, generous, artistic, athletic, socially engaged -- the more virtues the better -- a standard of excellence we inevitably fall short of. While capabilities theorists acknowledge that people can flourish with disabilities or in unconventional ways, these acknowledgements can feel like afterthoughts.

Zhuangzi, in contrast, centers and celebrates diversity, difference, disability, and even death as part of the cycle of coming and going, the workings of the mysterious and wonderful Dao. From an Aristotelian or capabilities perspective, death is the ultimate loss of flourishing and capabilities. From Zhuangzi's perspective, death -- at the right time and in the right way -- is as much to be celebrated, harmonized with, welcomed, as life. From Zhuangzi's perspective, peculiar animals and plants, and peculiar people with folded-up bodies, or missing feet, or skin like ice, or entirely lacking facial features, are not deficient, but examples of the wondrous diversity of life.

To frame it provocatively (and a bit unfairly): Aristotle's ideal suggests that everyone should strive to play the same note, aiming for a shared standard of human excellence. Zhuangzi, in contrast, celebrates radically diverse forms of flourishing, with the most wondrous entities being those least like the rest of us. Harmony arises not from sameness but from how these diverse notes join together into a whole, each taking their turn coming and going. A Daoist ethic is not conformity to rules or maximization of virtue or good consequences but participating well in, and relishing, the magnificent symphony of the world.