The Spatial Location of Inner Speech

Last night, my six-year-old daughter Kate told me she had a song "in her head". I asked her if it was really inside her head, and she said yes it was. I asked her how big it was. At first she said she didn't know, but when pressed she agreed that it was larger than a pea but smaller than a dog, and she spread her fingers a few centimeters apart.

Most of the people I've interviewed are willing to attribute a spatial location to their experience of inner speech and imagined tunes -- and that location is virtually always inside their heads, not in their tummies or their toes or out in the environment, unless it's a hallucination or a case in which they're not sure whether the origin is some subtle environmental sound. Why, I wonder, this uniformity of report?

You might say -- as my 13-year-old son Davy said later last night, when I interviewed him -- that it's experienced as in the head because its origin is in your brain, and your brain is in the head. But that argument can't work without some supplementation. Phantom-limb pain, for example, is experienced as spatially located outside the head, even if its origin is in the head (or in peripheral nerves closer to the center of the body). Visual experience is a product of the brain but not normally described as located in the head. Visual imagery, too, although often described as "in the head", is sometimes experienced as out in the environment. For example, I might imagine a demon crouching in the corner of my office as I now look into that very corner. Also -- somewhat surprisingly to me! -- when I interview people about their visual imagery experiences, about 25% describe their visual imagery as spatially located a few inches in front of the forehead. In contrast, I have never heard anyone describe their inner speech as transpiring a few inches in front of their forehead!

You might say that it's because the origin of our outwardly verbalized speech is our head, so we're used to locating our speech inside our heads. But that doesn't quite work either. When I speak, the spatial origin of the sound, it seems to me, is my mouth. Although that's part of my head, most people, when they locate their inner speech, locate it not in their mouths but in the interior of their cranium.

You might think that it makes sense that we would imagine music as transpiring in our cranium, since that's where it seems to be when you're listening with headphones. But that doesn't quite work either, I think, since people with limited exposure to headphones (like Kate), who hear most of their music from exterior sources, still report tunes as spatially interior. (I'd wager one finds this "inside the head" phenomenological positioning, too, if one looks at phenomenological reports in Anglophone culture pre-stereophonics, but I haven't done the search on that (yet).)

A more interesting possibility is this: Sometimes imagery is experienced as environmentally positioned -- like that demon in the corner of my office. We might imagine a representation like this {demon with properties a,b,c; egocentric location x,y,z}. But most of the time we don't visually imagine things as environmentally located, so the representation is just {demon with properties a,b,c}. Without an environmental position explicitly represented, we might default to representation at our subjective center -- either actually experiencing it as there or erroneously thinking we experience it as there. And maybe our subjective center is inside our cranium. But even if so, the view has problems accounting for visual imagery reported as in front of the forehead, and with reports of inner speech as moving around inside one's head (as some of Russ Hurlburt's interviewees report).

So I'm left still wondering....